of Mud and Clay

Pedology is a part of an ecological science that deals with the study of soil. In which, determination of soil texture is an important part. Silt, Clay and loam are the three important particles of soil texture. Their concentration in the soil determines the texture and physical quality of a soil. These are some few lines that I could remember from my formal education about clay and other forms of soils.

There can be no other grand welcome for a bambusapiens than a clump of Bambusa spp. at the backyard of the studio

For me, soil is a growth medium. Soil is an anchor. But to many, soil is not just a growth medium nor just an anchor. It is a medium for their expressions.

Mr. Bhim, a traditional potter at work

Everyone knows about pottery. Normally we get our Porcelain and ceramic products from the Mandarin source. And of course, they are normally meant for domestic uses. Hence, pottery, to me, was more of a functional works, than artistry, until I met this couple in Aug. 4, 2017.

An earthen staircase

Being an art follower, my artist friends – John and Kimtea, a Kala Bhavana Alumni along with Thara, took me to Goalpara, a village next to Santiniketan. While returning, we went to the studio of this couple. Their studio and their house were a creation, skillfully crafted, and artistically conceptualized. It would be every artists dream to have such a studio!

Biagio Luca from Italy was training at the studio when we first visited in Aug. 4, 2017. (L-R: Luca, Kimtea, Thara, John and Bityut)

I have been studying, teaching and researching on ecology for quite a few years now. I campaigned for ecological conservation among the teenagers. I used to talk about living in harmony with nature. I used to enjoy camping in the wild, among the bushes and the trees. But never ever have been connected with nature as much as I wished to.

A house of mud and clay, the studio of Mr and Mrs Roy

Here at Boner Pukur Danga, Santiniketan, I met two artist, whom mother nature matched them together perfectly. They draw their inspirations from nature – the trees, the bushes, the grasses and the socio-cultural lifes of the Santhali community. Even though they could easily get their medium through online market, they prefer the materials which nature provided them. They dug the soil, and prepare their medium themselves.

A ceramic studio constructed by using ceramic and producing ceramics

For a 3dimensional art works like ceramics, shapes and forms are the two important elements, in fact the whole concept is influenced by these two elements. Being a nature lover, Bityut and Lipi’s inspirations of forms and figures which they incorporate in their art works are from nature itself.

Nature…

When asked why they live in such an isolated place, “I love the culture, traditions and the lifestyle of the Santhali community. If I lived in their village, I would distract them, so I choose a place where I could see them, where I could witnessed their simple yet riched lifestyle; a place near by them, without disturbing them” Mr. Bityut Roy replied.

Mr. Bityut Roy established the Studio in 1984.

“I am not a trained potter, but a painter. My interest and sources of inspiration is from the nature. My love for fine art and nature brought me here” said Mrs Lippi Biswas.

Mrs Lipi Biswas

Bityut and Lipi tie a knot in 1995. Since then, they have been in this field together. They enjoy what nature had provided them. For them, conservation is a lifestyle.

The entrance of the studio

As you walk into the studio, you can feel the swaying of the trees, the melody of the swirling leaves. It seems like a transect walk in a tropical forest, amidst the fog and the mist, accompanied by a drizzle to turn the mercury down.

Nature being fossilized into art work

You can hear the rippling streams. You can feel the chirping birds that are perching around, the croaking of a toad and the aroma of wild flowers blown by the cool breeze. At one corner, you can hear the rhythm of a Santhali percussion and the melodious tune of the womenfolks. It feels like we are more connected with mother nature.

Mr Jubal, a ceramic artist seriously analyzing the art works

For those of you who love nature and fine art, it is a must to visit the ‘Studio Boner Pukur Danga,’ but you have to be extremely careful not to break those fossils of nature embedded in an art work. And of course, buy from them!

The studio itself is an art work!

My second visit was on May 30, 2018. This time, I was accompanied by my lovely wife Rebecca and Mr. Jubal, a ceramic artist from Kala Bhavana. My wife was so much drawn into those art pieces that she was reluctant to leave!

Tea and snacks, in a ceramic cups and plate

You can reach them here:

Call: +919679984008 (Lipi Biswas)

via e-resources: marangburu@yahoo.com; studiobonerpukurdanga; studiobonerpukrudanga

My wife, holding the art piece that we purchased, posed with Mrs Lipi

 

Nikir thla ti ti

June thla khan eng engemaw post ka tuma, mahse ka post lo. Ka ziak hman lo a ni. Tunah pawh ka la ziak ta chuanglo a. Engtikah nge ka ziah ang pawh ka hre chuang lo a. Engtak chu nge post ka tum pawh ka hre chuang lo. June thlazet kha chu ka damchhunga ka tawn ropui ber a ni hial awm e. Khatiang kha ka tawng leh tawhin ka inring lo. Heta han sawi tur chi a ni em pawh ka hre thiam lo e –

June thla khan chanchin lawmawm tak kan chhungkuain kan dawnga, Chanchin Tha avangin ka tawn ngailoh ka tawng bawk.

June thla khan ramsa vang êm êm mai, ramsial/sele kah a nih thu a thang chiama, thuneitu te pawhin hma an la zuia, dan bawhchhetu an hling nghal chat mai. Ropui tak a ni. Ka tel vena, BIOCONE (www.biocone.org) pawhin Sorkar hmalakna lawmawm a tih thu leh sorkar a thlawp thu te, dan bawhchhetu te a dem thu te a chhuah bawka. Chutih mek laiin Mizorama phul hmun nuam ber leh lian ber te zinga mi, Sialsuk tlangah tuten emawni thing an lo phun ve mek thung a ni awm a. Sialsuk tlanga phulhmun hi thing han awm khep khupna tura Pathian duan chu a nih loh hmel khawp mai; Tlaizawng leh Vaube an phun a ni awm a. Hman deuh khan pawl pakhat chuan Hmuifangah “Far tiak” an phun chiam tawh bawka. A chang leh ngaw hmun thiata phulhmun siam kan tuma, a chang leh phulhmuna thing phun kan tum leh ang lawia, a awmsa hi kan ngaitheilo viau zel mai chu a ni, eng kan ti zo ta nge mawni?

Artukkhuan (Mirabillis jalapa)

Project Zo-pangpar

Ka thiannu Dr. Saithani’n Mizorama tualto pangpar thlalak min rawn zawt thut maia, ka lo nei mumallo viau lehnghala. Ka ngaihsak tawkloh vang a nih rualin hmuh tur hi a vang ve hrim hrim tawh bawk a ni. A zarah tlem chu ka lakhawm ta hlauha, Mizo pangpar tam zawk par loh lai a nih leh zel avang erawh chuan lakkhawm tam a har viau. Fur laia pangpar thlalak tur zawn chu hmuh tam a har teh e. Mizoramah hian thing leh mau, thlai chi hrang  chi engemaw zat kan neia, heng te hi ram tam takah awm velo, an awh ngawih ngawih a ni. A mi chenga te hian hlutna chang kan hre thinloa, ram danga mi kan lalut zela, kan ngaisang êm êm zel zawk mai thin bawk sia, a manganthlak ngawt mai.

Fur pui

Fur lai a ni a, ruah a sur nasaa, lei a mina, tui a lian bawka. Kawngpui chhuat a bala, tlang pang a min a, In a chima, hmun hrang hrangah chhiatna a thleng nasa hle. Mi tam tak tan chuan ‘Furchhia’ a ni a, a runthlak tak zet a ni. Mi eng emawzatin an chenna an chana, an nunna an chan phaha, chungkua a tiavai phah bawka. Inkalpawhna kawng a chhiaa, chakkhai lamna a buai zova.

Furpui hmahruai Ruahthimpui

Fur hi kum tin a thleng thina, pumpelh theih a ni lo. Furpui avanga chhiatna thleng thin tam tak pawh hi pumpelh harsa tak a ni ang. Chhiatna a thlen tam tak tihziaawm dan erawh a awm ngei ang. Inbuatsaihna tha leh ruahmanna felfai awm se chuan kan tawrh hi tun aiin a zia ngei ang. Josefa anga tam laka inven dan ngaihtuah chuak thiam ram hruaitu kan mamawh a ni ta ber awm e.

Wrath of Monsoon. Hunthar Veng leitlahniam (June 13, 2017)

Furchhia han ti thin mah ila fur avanga thlai thar, ei leh bar hmu kan ni miau maia, kan tui tlan lah fur avanga a hna kang chatlo a ni si. Thenkhat tan chhiatna zakhua, sorkar lu ti haitu nimahse, mi tam tak tan, nungcha te tan, thilsiam dang te tan erawh nunna hnar a ni lawi si.

Furah chuan Dingdi (Asclepias curassavica) pawh ama tawk tein a lo vul ve chik cheka, en hnaih poh leh a mawi ting mai a

Thlasik khawvawt leh thal khawroin a hmeh ro, fur ruahtui avang lo hring leh dup thin kan tlangram hian ruah bawhawk a ngam lo zual ta viau mai hi erawh a mi chenga te kan inenfiah a ngai viauin a lang. Khuarel chhiatna kan tih tam tak hi chu a mi chenga ten kan chenna leh a vel kan enkawl uluk loh vang leh kan fimkhur tawk lo vang a thleng tam tak a awm ngei ang, a nih loh vek chuan kan ram hi a chhe ve hrim hrim a ni ang!

He’ng thu hnep hnawl te te hi June thlaa post ka tum zinga mi thenkhat, ka tih mumal takloh te kha a ni ta mai awm mange!